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About Edward

Edward studied Engineering Science at Oxford University, Lincoln College, where he studied a wide range of topics such as solid mechanics, thermodynamics, and materials and structures. His research explored the design of novel miniature tension-torsion experimental stages for in-situ micromechanical testing, demonstrating that stages on this scale are not only possible but feasible and applicable in several different sectors within the realm of material testing. The theory was awarded the University's Gibbs Prize in Engineering Science and the practicality was explored in his dissertation, which was awarded a first class grade.

Edward joined Keltie in 2023 following over three years training at another patent law firm. He has experience working with a wide range of clients, from large industrial production companies to boutique university spin-outs. He is part-qualified and is working towards European and UK qualification. 

 

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What is a work of artistic craftsmanship in UK copyright Law? Insights from WaterRower v Liking

12.11.2024

What is a work of artistic craftsmanship in UK copyright Law? Insights from WaterRower v Liking

This much-awaited Decision sees the UK's approach to copyright for 3-dimensional works diverge from that of the EU. It also provides some guidance on the criteria for a ‘work of artistic craftsmanship’ under UK copyright law, with relevance to the field of applied arts, and especially to vintage design. Keltie attorney Emily Weal explains why this decision matters, and what it means.

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Ireland’s Hokey Cokey* with the UPC continues

23.08.2024

Ireland’s Hokey Cokey* with the UPC continues

The Irish Government wants ‘in’ but pending a delayed referendum, Ireland remains ‘out’. But is Ireland actually ‘in’ to some extent already? A recent decision by a Local Division of the UPC Court of First Instance certainly ‘shook it all about’ before that decision was firmly overruled by the UPC Court of Appeal.

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